基于图形—背景理论的《黑人谈河》认知诗学解读

doi:10.3863/j.issn.1674-5094.2013.01.020

西南石油大学学报(社会科学版) ›› 2013, Vol. 15 ›› Issue (1): 114-118.DOI: 10.3863/j.issn.1674-5094.2013.01.020

基于图形—背景理论的《黑人谈河》认知诗学解读

肖晶

山西财经大学经贸外语学院，山西太原 030031

收稿日期:1900-01-01 修回日期:1900-01-01 出版日期:2013-01-01 发布日期:2013-01-01

A Cognitive Poetic Interpretation of The Negro Speaks of Riverswith from the Perspective of Figure and Ground Theory

XIAO Jing

Trade Foreign Language Institute，Shanxi University of Finance and Economics，Taiyuan Shanxi 030031，China

Received:1900-01-01 Revised:1900-01-01 Online:2013-01-01 Published:2013-01-01

摘要/Abstract

摘要： 图形—背景理论是认知心理学的一个重要理论，认知诗学的研究者将其应用到文学作品的分析中。基于此理论的相关思想，分析休斯的早期作品诗歌《黑人谈河》，试图从意向凸显和主旨信息凸显两方面找出该诗歌中所体现的图形—背景关系，探讨诗中所体现的意境和内涵，挖掘其内在的认知理据，从而更深刻地解读诗人的创作视域，继而感受诗歌的艺术效果，更好地体会黑人作家创作出的独特美。

关键词: 图形—背景理论, 《黑人谈河》, 黑人文化, 认知诗学, 休斯

Abstract: The theory of figure and ground has been viewed as an important theory in cognitive psychology and can be applied to the analysis of literary works. Based on the framework of figure and ground，the figureground phenomenon shown in The Negro Speaks of Rivers is illustrated from the perspective of prominence，focusing on the imagery and meaning the poem presents. making it easier for the readers to better understand the deep meaning of the poem so as to appreciate the artistic effect it has created.

Key words: figure and ground theory, The Negro Speaks of Rivers, black culture, cognitive poetics, Hughes

中图分类号:

I106.2

肖晶. 基于图形—背景理论的《黑人谈河》认知诗学解读 [J]. 西南石油大学学报(社会科学版), 2013, 15(1): 114-118.

XIAO Jing. A Cognitive Poetic Interpretation of The Negro Speaks of Riverswith from the Perspective of Figure and Ground Theory[J]. 西南石油大学学报(社会科学版), 2013, 15(1): 114-118.

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基于图形—背景理论的《黑人谈河》认知诗学解读

A Cognitive Poetic Interpretation of The Negro Speaks of Riverswith from the Perspective of Figure and Ground Theory

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