西南石油大学学报(社会科学版) ›› 2017, Vol. 19 ›› Issue (2): 92-98.DOI: 10.11885/j.issn.1674-5094.2016.12.19.01

• 文史哲论丛 • 上一篇    

70后女性导演创作的叙事策略研究

杜萱   

  1. 太原学院科技处, 山西 太原 030020
  • 收稿日期:2016-12-19 出版日期:2017-03-01 发布日期:2017-03-01
  • 作者简介:杜萱(1984-),女(汉族),河北保定人,讲师,硕士。研究方向:影视文学。
  • 基金资助:
    山西省教科所规划课题“70后女导演女性题材电影研究”(GH-13180)。

A Study of the Narrative Strategies by Women Directors of the Post-70s Generation

Du Xuan   

  1. Department of Scientific Research, Taiyuan University, Taiyuan Shanxi, 030020, China
  • Received:2016-12-19 Online:2017-03-01 Published:2017-03-01

摘要: 影片叙事策略的运用是影片展现女性导演思想的关键所在。以具体影片为切入点,从叙事视角、叙事线索、叙事空间三个角度探究70后女性导演叙事策略在其创作的前期和后期转变的具体体现,结果表明:70后女性导演在其创作的前期和后期,叙事策略发生了根本性的转变,即叙事视角由边缘人物转向大众人物,叙事线索从单线转变为多线,叙事空间从封闭的空间走向与开放相结合的叙事空间。这些变化是70后女性导演在电影市场商业化影响下的适应与妥协,虽为她们带来了丰厚的经济效益,但其影片的立足点是否依旧能够体现女性主义思想的感召及女性意识的自主觉醒,则值得人们进一步思考。

关键词: 70后, 女性导演, 电影创作, 叙事策略, 叙事线索, 叙事空间

Abstract: The application of narrative strategy in films is an important demonstration of film directors' thoughts. This thesis studies the transformation of narrative strategies by post-70s female directors from the perspective of description, clues, and space. The result shows that in the early and later period of film making, their narrative strategies changed radically. The narrative perspective turned from the edge characters to the public figures, the narrative clue from single line to multiline, and narrative space changed from closed spaces to open ones. These changes adapt to the commercialization of the film market, which brings great economic benefits to the female directors of the post-70s generation. But further researches are needed on whether the foothold of the film reflects the inspiration of the feminist ideology and the self-awakening of the female consciousness.

Key words: post-70s, female directors, film making, narrative strategies, narrative clue, narrative space

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