大理大学学报

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女性主义叙事学视阈下的《呼兰河传》解析#br#

王嘉梅,王清   

  1. 云南民族大学质量保障中心,昆明650504;2. 云南民族大学文学与传媒学院,昆明650504
  • 收稿日期:2019-03-30 修回日期:2019-05-20 出版日期:2019-07-15 发布日期:2019-07-15
  • 作者简介:王嘉梅,教授,主要从事边疆语言与文化研究.

An analysis of Tales of Hulan River from the Perspective of Feminist Narratology#br#

Wang Jiamei, Wang Qing   

  1. 1. Quality Assurance Center, Yunnan Minzu University, Kunming 650504, China; 2. School of Literature and Media,
    Yunnan Minzu University, Kunming 650504, China
  • Received:2019-03-30 Revised:2019-05-20 Online:2019-07-15 Published:2019-07-15

摘要: 《呼兰河传》是萧红的长篇力作,小说文本渗透着鲜明的女性意识,颠覆男性话语权威,对女性的主体性进行了公开表
述。这部小说通过反差的设置,使女性叙述得到突出;女性人物在文本中占据较高的叙述比例,表明萧红对女性的关怀;间隔
的灵活变化,使批判男权的主题得到深化;萧红运用个人型叙述声音,使男权话语保持沉默;透过女性的眼光重申女性的自我
意识,以男性视角呈现男性对女性的扭曲;反常的省叙增强了叙述声音的女性气质;自由间接引语的插入增强了叙述者的权
威,女性的叙述权威在文本中得以建构。

关键词: 女性主义叙事学, 萧红, 呼兰河传

Abstract: Tales of Hulan River is Xiao Hong's masterpiece. The novel text permeates a distinct female consciousness, subverts the
male discourse authority, and publicly expresses the female subjectivity. This novel makes the female narrative stand out through the
setting of contrast. Female characters occupy a high proportion of narrative in the text, indicating Xiao Hong's concern for women.
Flexible changes in the intervals deepen the subject of critical patriarchy, and Xiao Hong uses personal narrative voice to keep male
discourse silent, reaffirming women's self-awareness through women's eyes and presenting male-to-female distortions from a male
perspective. Abnormal provincial narration enhances the femininity of narrative voice. The insertion of free indirect speech enhances
the authority of the narrator, and the female narrative authority is constructed in the text.

Key words: feminist narratology, Xiao Hong, Tales of Hulan River