论戴望舒对法国象征主义的接受

J4 ›› 2010, Vol. 9 ›› Issue (3): 28-31.

论戴望舒对法国象征主义的接受

1.重庆教育学院中文系，重庆 400067；2.重庆电子工程职业学院，重庆 401331

收稿日期:2009-11-30 出版日期:2010-03-15 发布日期:2010-03-15
作者简介:李公文，讲师，主要从事中国现当代文学思潮与流派研究.

On Dai Wangshu's Acceptance of French Symbolism

1.Department of Chinese, Chongqing Education College, Chongqing 400067, China；
2.Chongqing College of Electronic Engineering, Chongqing 401331, China

Received:2009-11-30 Online:2010-03-15 Published:2010-03-15

摘要/Abstract

摘要：

戴望舒诗歌创作深受法国象征主义文学思潮的影响。戴望舒对中国古典诗歌传统的自觉传承和对象征主义的接受与融
会意识构成其创造性的诗歌美学观。戴望舒的创作实现着中西诗学“融会”的道路，在20世纪30年代将中国新诗推向一个新的更为丰富的艺术领域。

关键词: 象征主义, 传承与选择, 接受, 融会

Abstract:

Dai Wangshu's poetic composition was greatly influenced by French symbolism. His consciousness of the inheritance from traditional Chinese poetry, his acceptance of symbolism and the fusion of the two constitute his aesthetic notion. Dai's composition that features a fusion of Chinese and Western poetry led the Chinese modern poetry into a new rich field in the 1930s.

Key words: symbolism, inheritance and choice, acceptance, fusion

中图分类号:

I207.25

李公文, 闫桂萍. 论戴望舒对法国象征主义的接受[J]. J4, 2010, 9(3): 28-31.

LI Gong-Wen, YAN Gui-Ping. On Dai Wangshu's Acceptance of French Symbolism[J]. J4, 2010, 9(3): 28-31.

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