The Philosophical Concept of

Wang Li

1. School of Art, Dali University; 2. School of Design, Central Academy of Fine Arts

Abstract:

Chinese traditional aesthetics embodies profound philosophical wisdom and distinctive artistic creativity. However, with

the advancement of modernization, it faces increasing challenges brought by globalization and technological development, revealing an

urgent need for adaptation and innovation. This paper focuses on the concept of "Emptiness" （Kong） in Chinese traditional aesthetics,

analyzing its multiple meanings in both philosophy and art. It illustrates the dialectical idea of "emptiness is form, and form is

emptiness" （kong ji you, you ji kong）

, exploring its philosophical foundation and aesthetic implications. Furthermore, the paper

explores the application of this concept in modern design thinking, with particular emphasis on the crucial role of intuitive thinking

derived from "Emptiness" in design creation, including sudden enlightenment, innovative thinking and the design strategy of negation

of negation. By integrating theory with practice, the study reveals how the aesthetic philosophy of "Emptiness" in traditional Chinese

culture empowers contemporary design, promoting the innovation of design concepts and the inheritance of culture.

Key words:

Chinese traditional aesthetics, philosophy of "Emptiness", design thinking, innovative design, insight-driven thinking

Wang Li.

The Philosophical Concept of "Emptiness" （Kong） in Traditional Chinese Aesthetics and Its Relevance to

Modern Design Thinking

[J]. Journal of Dali University, 2026, 11(3): 62-.

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URL: http://journal15.magtechjournal.com/Jwk_dlxyzk/EN/10. 3969 / j. issn. 2096-2266. 2026. 03. 009

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