J4 ›› 2012, Vol. 11 ›› Issue (5): 17-21.
明代拟话本中的娼妓形象对唐代传奇中的娼妓形象既有继承又有发展，有相似处也有不同处。以《霍小玉传》《李娃传》与《卖油郎独占花魁》《杜十娘怒沉百宝箱》为考察对象，可以看出唐代和明代小说娼妓形象的演变反映了时代的变迁以及作者创作理念上的差异。这些差异表明，中唐传奇作者的浪漫主义情愫逐渐让位于晚明商品经济社会的现实主义思考。
Prostitute images in the vernacular novels of Ming Dynasty inherited and developed the Tang legends. This paper takes Biography of HUO Xiaoyu, Biography of LI Wa and The Businessmen Selling Oil Married a Courtesan, DU Shiniang Angrily Discarded the Box Filled with Treasure into Water as study objects, and points out the evolvement of the prostitute images and the differences of authors' creating concepts. These differences indicate that the romantic feelings of the Tang romance author have given way to the realistic thinking of the commodity economy society of the late Ming Dynasty.
