大理大学学报

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清代云南的实景绘画

  

  1. 大理大学艺术学院,云南大理 671003
  • 收稿日期:2018-01-05 修回日期:2018-02-19 出版日期:2018-05-15 发布日期:2018-05-15
  • 作者简介:田增光,副教授,主要从事中国画史论、创作研究.
  • 基金资助:
    云南省哲学社会科学规划青年项目“明清云南文人画研究”(QN2014086)

Research on Realistic Paintings in Yunnan in Qing Dynasty

  • Received:2018-01-05 Revised:2018-02-19 Online:2018-05-15 Published:2018-05-15

摘要: 地方实景绘画是中国绘画史上一个重要的主题类型,文人和画家一起通过文本和图像双重的形式不断塑造和确认这些地方的文化形象。从现存的画迹来看,云南地方实景类型的绘画多作于清代晚期。云南实景绘画描绘的地方也正是云南历史文化上的重镇,一个地方在历史中的重要性,也与其是否或是否常常被描绘有关。地景绘画的创作也牵涉到同乡观念、地方认同、旅游经济等方面的问题。

关键词: 清代, 云南, 实景绘画, 文化形象

Abstract: Local realistic painting is an important theme in the history of Chinese painting. Literati and painters constantly shape and confirm the cultural images of these places by means of both texts and images. Judging from the existing paintings, the paintings of the local scenes in Yunnan were mostly done in the late Qing dynasty. The scene depicted in Yunnan's realistic paintings is also a key part of the history and culture of Yunnan, and the importance of a place in history is also related to whether or not it is often depicted. The creation of local realistic paintings also involves such issues as the concept of countrymen, local identity and tourism economy.

Key words: Qing Dynasty, Yunnan, realistic painting, cultural image