J4 ›› 2013, Vol. 12 ›› Issue (8): 68-71.

• 文化与艺术 • 上一篇    下一篇

再谈中国当代艺术创作的“图像生态”

  

  1. 巢湖学院,安徽巢湖 238000
  • 收稿日期:2013-03-29 修回日期:2013-06-26 出版日期:2013-08-15 发布日期:2013-08-15
  • 作者简介:曹司胜,助教,主要从事油画创作研究.
  • 基金资助:

    巢湖学院人文社会科学研究项目(XWY-201107)

Further Discussion of "Image Ecology" of Chinese Contemporary Art Creation

  1. Chaohu College, Chaohu, Anhui 238000, China
  • Received:2013-03-29 Revised:2013-06-26 Online:2013-08-15 Published:2013-08-15

摘要:

范迪安先生在《图像生态变迁中的中国艺术》中将当代艺术创作的图像资源形象地称之为“图像生态”,中国当代艺术创
作无法回避对图像资源的利用问题,大众视觉图像资源的泛滥,提醒中国当代艺术家们应加强对绘画形式语言的试验与探索,
超越“图像”品质,不应放弃“绘画性”的追求,依靠绘画自身的形式语言、造型、色彩等来展现绘画艺术的力量。

关键词: 图像生态, 绘画性, 视觉语言

Abstract:

Mr. Fan Di'an in his Chinese Art in Ecological Changes of Images figuratively regards the image resources in
contemporary art creation as "image ecology". Chinese contemporary art cannot avoid the problem on how to use image resources. The
overflow of public visual image resources has reminded Chinese contemporary artists of reinforcing the attempt and exploration of
painting language and then surpassing the "image" quality. They should not abandon the pursuit of "painterliness", but reveal the
power of painting art through its own formal language, modeling, and color of painting.

Key words: image ecology, painterliness, visual language

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