J4 ›› 2015, Vol. 14 ›› Issue (3): 1-6.

• 南诏-大理历史文化 •    下一篇

大理崇圣寺千寻塔出土阿嵯耶观音像研究

  

  1. 大理州博物馆,云南大理671000
  • 收稿日期:2015-01-07 出版日期:2015-03-15 发布日期:2015-03-15
  • 作者简介:田怀清,研究员,主要从事文物考古及民族宗教文化研究.

Study on the Acarya Avalokitesvara Sculpture Unearthed from Qianxun Pagoda of
Dali Chongsheng Temple

  1. Museum of Dali Prefecture, Dali, Yunnan 671000, China
  • Received:2015-01-07 Online:2015-03-15 Published:2015-03-15

摘要:

阿嵯耶观音像是印度僧人菩立陁诃于南诏保和二年(公元825年)传入大理地区最早的一尊观音像,阿嵯耶观音像手结
妙音天印与中原传入大理地区的观音像手执柳枝、净瓶有较大的区别,具有显著的地方特色和民族特色。通过对大理崇圣寺
千寻塔发现的阿嵯耶观音像的研究,表明大理的佛教文化,不仅只是从中原传入,而且还从印度传入。阿嵯耶观音像的发现,
反映了大理古代各族人民与印度及东南亚各国人民的友好往来和文化艺术的交流。

关键词: 大理崇圣寺千寻塔, 阿嵯耶观音, 印度僧人, 佛教文化

Abstract:

Acarya Avalokitesvara is the earliest Avalokitesvara sculpture that were introduced to Dali by Indian monk in the second
year of Nanzhao Baohe(825A.D.). Different from the Avalokitesvara sculptures from Central China with a jar containing pure water and a willow branch in hands, Acarya Avalokitesvara is with the Sarasvati-devi mudra, which shows the remarkable local and minority characteristics. Study of the Acarya Avalokitesvara unearthed from Qianxun Pagoda of Dali Chongsheng Temple proves that the Buddhist culture was introduces to Dali from Central China as well as India. The discovery of Acarya Avalokitesvara sculpture reflects the culture and art communication between different minority group people in ancient Dali and Indians and Southeast Asians.

Key words: Qianxun Pagoda of Dali Chongsheng Temple, Acarya Avalokitesvara, Indian monk, Buddhist culture

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