西南石油大学学报(社会科学版) ›› 2018, Vol. 20 ›› Issue (6): 115-120.DOI: 10.11885/j.issn.1674-5094.2018.09.23.02

• 理论探索 • 上一篇    

蒋孔阳人生论美学思想新释

陈保志   

  1. 中国社会科学院研究生院, 北京 房山区 102488
  • 收稿日期:2018-09-23 出版日期:2018-11-01 发布日期:2018-11-01
  • 作者简介:陈保志(1987-),男(汉族),山东日照人,博士研究生,研究方向:美学、文艺理论。

A New Interpretation of Jiang Kongyang's Aesthetic Thoughts

Chen Baozhi   

  1. Graduate School, Chinese Academy of Social Sciences, Fangshan Beijing, 102488, China
  • Received:2018-09-23 Online:2018-11-01 Published:2018-11-01

摘要: 蒋孔阳是我国实践美学的杰出代表,其美学思想体系不仅有着中国传统文化的根深蒂固的思维基因,更受到马克思主义实践美学、德国古典美学的显著影响。蒋孔阳在融会中西、借鉴古今的基础上,发展了当代中国美学,建立了以"人对现实的审美关系"为出发点、以人类实践活动为逻辑前提、以"美是多层累的突创"为根本特征的实践-创造论美学。同时,蒋孔阳美学始终立足人生实践,关怀人的生存体验,其思想最终落脚于人的存在和人生发展上,在美中追求人的自由的实现,在人生中找寻美的理想,最终凝汇成一种独特的人生论美学。

关键词: 蒋孔阳, 审美关系, 多层累的突创, 实践-创造论美学, 人生论美学

Abstract: Jiang Kongyang is a famous contemporary aesthetician in China,an outstanding representative of practical aesthetics. His aesthetic thoughts are not only influenced by Marx's aesthetics and modern Western aesthetics, but also by the traditional Chinese aesthetic thoughts. On the basis of integrating the essence of Chinese and Western aesthetic thoughts,Jiang Kongyang developed the contemporary Chinese aesthetics and established the practice-creation aesthetics, which takes the aesthetic relationship between human beings and reality as the starting point, human practice as the logical premise, and beauty being the process of cumulative emergence as the fundamental characteristics. At the same time, Jiang Kongyang's aesthetics always looks at the practice of life and cares for the living experience of people. His aesthetic thoughts finally fall on the existence and development of human beings. It shows the value of human dignity and the pursuit of the free development of human beings, and finally condenses into a unique aesthetics theory of life.

Key words: Jiang Kongyang, aesthetic relation, cumulative emergence, practice-creation aesthetics, aesthetics theory of life

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