J4 ›› 2012, Vol. 11 ›› Issue (5): 31-34.

• 语言文学 • 上一篇    下一篇

叙事学视域下《麦克白》的戏剧叙事特色研究

以现代叙事学理论为视角研究《麦克白》戏剧文本,通过分析剧中的叙事圈套、复调叙事、空间叙事以及圣经母题叙事,以说明其“套中套”的复调叙事技巧和文本叙事上“旧曲新唱”的深刻功力。   

  1. 梧州学院外语系,广西梧州 543000
  • 收稿日期:2011-11-28 修回日期:2012-02-03 出版日期:2012-05-15 发布日期:2012-05-15
  • 作者简介:毛卫利,讲师,主要从事英美文学与比较文学研究.
  • 基金资助:

    梧州学院2009年院级科研青年项目(2009D014)

Research of the Dramatic Narrative Features in Macbeth from Narratological Perspective

By analyzing the narrative trap, polyphony narrative, space narrative and Biblical prototype narrative in the dramatic text,this article aims to investigate the narrative features in Macbeth from the perspective of Narratology and exemplify Shakespeare's talented narrative skills with double traps and renewal intelligence in old story.   

  1. Department of Foreign Languages, Wuzhou University, Wuzhou, Guangxi  543000, China
  • Received:2011-11-28 Revised:2012-02-03 Online:2012-05-15 Published:2012-05-15

摘要:

以现代叙事学理论为视角研究《麦克白》戏剧文本,通过分析剧中的叙事圈套、复调叙事、空间叙事以及圣经母题叙事,以说明其“套中套”的复调叙事技巧和文本叙事上“旧曲新唱”的深刻功力。

关键词: 《麦克白》, 叙事圈套, 复调叙事, 原型叙事

Abstract:

By analyzing the narrative trap, polyphony narrative, space narrative and Biblical prototype narrative in the dramatic text,this article aims to investigate the narrative features in Macbeth from the perspective of Narratology and exemplify Shakespeare's talented narrative skills with double traps and renewal intelligence in old story.

Key words: Macbeth, narration trap, polyphony narrative, prototype narrative

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