J4 ›› 2013, Vol. 12 ›› Issue (1): 15-17.

• 民族文化 • 上一篇    下一篇

云南壮族“坡芽歌书”符号表达特征解析

壮民在生产生活中,以周边的事物为素材,通过对事物的观察、类分和表达,创造了“坡芽歌书”。壮民以对事物具象表
达、类比呈现和分解重组等方式,实现了符号内容的表达、情感的抒发和结构的多样化,既完成了符号的审美形式,又使符号背
后丰富的意蕴相伴而生。   

  1. 1.西南大学西南民族教育与心理研究中心,重庆400715;
    2.大理学院政法与经管学院,云南大理 671003
  • 收稿日期:2012-09-16 出版日期:2013-01-15 发布日期:2013-01-15
  • 作者简介:权迎,博士研究生,主要从事民族教育、教育人类学研究.

Characteristics Analysis of the Symbol Representation of Zhuang Ethnic Minority's Poya Song Book in Yunnan

Taking surrounding objects as material, Zhuang nationality observes, classifies and represents these materials and thus
creates Poya Song Book in their production and living. The realization of symbol representation, of emotion expression and structure
diversification which perfects the external aesthetics of symbol and generates rich implications behind symbol is achieved by concrete
images, analogical representation, decomposition and recombination.   

  1. 1. Ethnic Education and Psychology Research Centre of Southwest of China, Southwest University, Chongqing 400715, China;
    2. College of Politics, Law, Economics and Management, Dali University, Dali, Yunnan 671003, China
  • Received:2012-09-16 Online:2013-01-15 Published:2013-01-15

摘要:

壮民在生产生活中,以周边的事物为素材,通过对事物的观察、类分和表达,创造了“坡芽歌书”。壮民以对事物具象表
达、类比呈现和分解重组等方式,实现了符号内容的表达、情感的抒发和结构的多样化,既完成了符号的审美形式,又使符号背
后丰富的意蕴相伴而生。

关键词: 壮族, &ldquo, 坡芽歌书&rdquo, 符号, 表达方式

Abstract:

Taking surrounding objects as material, Zhuang nationality observes, classifies and represents these materials and thus
creates Poya Song Book in their production and living. The realization of symbol representation, of emotion expression and structure
diversification which perfects the external aesthetics of symbol and generates rich implications behind symbol is achieved by concrete
images, analogical representation, decomposition and recombination.

Key words: Zhuang nationality, Poya Song Book, symbol, representation mode

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