大理大学学报 ›› 2024, Vol. 9 ›› Issue (7): 61-67.DOI: 10. 3969 / j. issn. 2096-2266. 2024. 07. 009

• 文化-艺术 • 上一篇    下一篇

象征·施事·赋晕:李睿珺电影的“物”叙事

  

  1. 中国民用航空飞行学院外国语学院
  • 收稿日期:2023-08-28 修回日期:2024-03-14 出版日期:2024-07-15 发布日期:2024-07-02
  • 作者简介:林茜,副教授,主要从事影视文学和叙事学研究。
  • 基金资助:
    中央高校基本科研业务费专项资金资助(J2023-068)

Symbol, Agent, and Halo: Narratives of "Things" in Li Ruijun's Films

  1. School of Foreign Language, Civil Aviation Flight University of China
  • Received:2023-08-28 Revised:2024-03-14 Online:2024-07-15 Published:2024-07-02

摘要: 李睿珺作为当代新锐导演之一,其作品聚焦了大量的“物”叙事,包含动物、植物、物件、风景、地方等。整体来看,这些
“物”主要呈现了三种叙事功能:作为象征之物,隐喻某种文化和人物,进而托物言志;作为施事之物,直接作用于人物行为、矛
盾冲突,从而推动叙事进程;作为赋晕之物,彰显“物性”,构建万物有灵、万物相连、以物观人的叙事美学,警醒世人。李睿珺的
电影在“物转向”的当下赋予了“物”以主体地位,积极探索日常生活中人与“物”的关系,就电影如何呈现“物”以启示。

关键词: “ 物”叙事, 李睿珺, 象征之物, 施事之物, 赋晕之物

Abstract: As one of the contemporary emerging directors, Li Ruijun's works focus on a large number of "thing" narratives, including animals, plants, objects, landscapes, places and so on. As a whole, these "things" mainly present three narrative functions: things used
as symbols, referring to culture and characters, thus speaking the mind of the director; things used as agents, directly acting on the behaviors of characters and conflicts, thus promoting the narrative progression; things empowered with narrative halo, revealing the property of objects to build a narrative aesthetics that everything is living, everything is connected, and people are viewed by things, thus alerting the world. Li Ruijun's films endow "things" with the status of subject in the present time of "the turning of things", actively explores the relationship between people and“ things", and enlighten how to present "things" in films.

Key words: "thing" narrative, Li Ruijun, symbol, agent, halo

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