大理大学学报 ›› 2024, Vol. 9 ›› Issue (7): 68-72.DOI: 10. 3969 / j. issn. 2096-2266. 2024. 07. 010

• 文化-艺术 • 上一篇    下一篇

19世纪法国学院派绘画艺术再认识

  

  1. 安徽建筑大学艺术学院
  • 收稿日期:2023-11-03 修回日期:2024-03-30 出版日期:2024-07-15 发布日期:2024-07-02
  • 作者简介:田强,讲师,主要从事美术学研究。
  • 基金资助:
    安徽省哲学社会科学规划资助项目(AHSKY2021D105)

Rethinking of French Academy Painting Art in the 19th Century

  1. School of Art, Anhui Jianzhu University
  • Received:2023-11-03 Revised:2024-03-30 Online:2024-07-15 Published:2024-07-02

摘要:  在19世纪之前,法国学院艺术几乎拥有决定所有艺术活动的权利,学院美术成为了所有艺术的典范。然而,随着现代
工业文明的进步,学院美术逐渐失去了应有的话语权,学院派的沉寂似乎是时代的选择。在19世纪法国绘画革命的波涛汹涌
中,学院派画家仍然坚守着“学院” 的规则,坚守着前人的传统,同时进行了顺应时代的改变。随着法国美术学院的起源、发展
及学院派的沉寂,人们正在透过历史来重新评价和审视19世纪法国学院派艺术。

关键词: 19世纪, 法国学院派, 绘画艺术, 再认识

Abstract: Before the 19th century, French academy art had the right to decide almost all artistic activities, and academy art became a
model of all arts. However, with the progress of modern industrial civilization, the academy art has gradually lost its due right to speak, and the silence of the academy seems to be the choice of the times. In the turbulent waves of the French painting revolution in the 19th century, the academic painters still adhered to the rules of the "academy" and the tradition of the predecessors, and at the meantime, made changes in accordance with the times. With the origin and development of the French Academy of Fine Arts and the silence of the academy, people are re-evaluating and re-examining the 19th century French academy art through history.

Key words: the 19th century, French academy, painting art, rethinking

中图分类号: