大理大学学报 ›› 2025, Vol. 10 ›› Issue (7): 93-98.DOI: 10. 3969 / j. issn. 2096-2266. 2025. 07. 014

• 文化-艺术 • 上一篇    下一篇

《撞死了一只羊》:魔幻现实主义风格下的“一体两面”哲思

  

  1. 大理大学文学院
  • 收稿日期:2024-06-25 修回日期:2025-04-14 出版日期:2025-07-15 发布日期:2025-07-21
  • 作者简介:赵敏,副教授,博士,主要从事影视美学、影视文化传播研究。
  • 基金资助:
    国家社会科学基金艺术学项目(23EC213);云南省哲学社会科学规划项目(YB2022089)

Jinpa: The Philosophical Reflection on "Two Sides of One Entity" in the Style of Magical Realism

  1. School of Literature, Dali University
  • Received:2024-06-25 Revised:2025-04-14 Online:2025-07-15 Published:2025-07-21

摘要:

电影《撞死了一只羊》以象征性的镜头语言和寓言式的叙事架构开启了万玛才旦有关魔幻现实主义风格的影像探索之
路。作品通过藏族人金巴、羊、歌曲《我的太阳》三组镜像符号的巧妙设置,深入探讨了蕴含在藏族伦理中有关执着与放弃、神
圣与世俗、善与恶等“一体两面”辩证关系,折射出当下藏区传统观念与现代意识共生、共存的状态,具有较强的艺术先锋性和
哲学思辨意味。

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Abstract:

The film Jinpa initiates Pema Tseden's cinematic exploration of magical realism through symbolic visual language and an
allegorical narrative framework. By artfully deploying three sets of mirrored symbols—the Tibetan protagonist Jinpa, the sheep, and the
song O Sole Mio—the work delve into the dialectical "two sides of one entity" embedded in Tibetan ethics, including perseverance and
renunciation, the sacred and the profane, good and evil. It reflects the contemporary coexistence of traditional concepts and modern
consciousness in Tibetan regions, embodying a strong sense of artistic vanguardism and philosophical speculation.

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