多元融汇与共存：内蒙古库伦旗兴源寺嘛呢殿壁画图像研究

大理大学学报 ›› 2025, Vol. 10 ›› Issue (9): 10-.

• 民族学-民族问题研究 • 上一篇下一篇

多元融汇与共存：内蒙古库伦旗兴源寺嘛呢殿壁画图像研究

赵志红

（内蒙古民族大学美术与设计学院，内蒙古自治区通辽市　028000）

出版日期:2025-09-15 发布日期:2025-10-14
作者简介:赵志红，教授，博士，主要从事宗教美术研究。
基金资助:
国家社会科学基金一般项目（23BZJ020）

Pluralistic Integration and Coexistence: A Study on the Mural Images of Mani Hall in Xingyuan Temple, Kulun Banner, Inner Mongolia

Zhao Zhihong

（Inner Mongolia Minzu University, Tongliao, Inner Mongolia 028000, China）

Online:2025-09-15 Published:2025-10-14

摘要/Abstract

摘要：

兴源寺嘛呢殿壁画是内蒙古东部地区保存状况相对完整的清代壁画。嘛呢殿壁画绘有佛、罗汉、佛弟子、韦驮天、多闻天王、俗人、鬼卒等形象。文中通过罗汉图像特征对嘛呢殿罗汉身份进行辨识，罗汉造型既依据于汉地民间流行的罗汉样式，又有符合藏地罗汉图像特征的形象，描绘水域，表现罗汉神通，呈普济而渡之意。嘛呢殿壁画融汇道教、佛教，表达了民众真切的生活愿景，展现了多民族在边疆地区交往交流交融的历史事实。

关键词: 兴源寺嘛呢殿, 壁画, 罗汉, 多元融合

Abstract:

The murals in the Mani Hall of Xingyuan Temple are relatively well-preserved Qing Dynasty murals in eastern Inner Mongolia. These murals depict figures such as the Buddha, Arhats, Buddha′s disciples, Skanda （Veda）, Vaiśravaṇa, laypeople, and Yama′s attendants. This article identifies the identities of the Arhats in the Mani Hall through their image characteristics. The Arhat figures are not only based on the popular Arhat styles among the Han people but also feature characteristics consistent with Arhat images in Tibet. These murals depict water scenes, demonstrate the Arhats′ supernatural powers, and convey the meaning of universal salvation and delivering sentient beings. The murals in the Mani Hall integrate Taoism and Buddhism, expressing the people′s sincere aspirations for life and showcasing the historical facts of multi-ethnic interaction, communication, and integration in border areas.

Key words: Mani Hall of Xingyuan Temple, murals, Arhats, pluralistic integration

赵志红. 多元融汇与共存：内蒙古库伦旗兴源寺嘛呢殿壁画图像研究[J]. 大理大学学报, 2025, 10(9): 10-.

Zhao Zhihong. Pluralistic Integration and Coexistence: A Study on the Mural Images of Mani Hall in Xingyuan Temple, Kulun Banner, Inner Mongolia[J]. Journal of Dali University, 2025, 10(9): 10-.

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[2]	杨斯斐. 寻找真实的佛陀：佛传故事壁画在晚唐复兴的原因[J]. J4, 2013, 12(5): 11-13.

多元融汇与共存：内蒙古库伦旗兴源寺嘛呢殿壁画图像研究

Pluralistic Integration and Coexistence: A Study on the Mural Images of Mani Hall in Xingyuan Temple, Kulun Banner, Inner Mongolia

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