《他们眼望上苍》中的框架叙事和奴隶叙述

J4 ›› 2010, Vol. 9 ›› Issue (1): 58-61.

《他们眼望上苍》中的框架叙事和奴隶叙述

电子科技大学中山学院外语系，广东中山 528402

收稿日期:2009-11-06 出版日期:2010-01-15 发布日期:2010-01-15
作者简介:刘珍兰，讲师，主要从事英美文学研究.

Frame and Slave Narratives in Their Eyes Were Watching God

Department of Foreign Languages, UESTC Zhongshan College, Zhongshan, Guangdong 528402, China

Received:2009-11-06 Online:2010-01-15 Published:2010-01-15

摘要/Abstract

摘要：

《他们眼望上苍》是佐拉·尼尔·赫斯顿的代表作。这部作品的成功之处不仅因为它是美国黑人文学史上最早描写黑人女
子女性意识觉醒的作品之一，还在于作者对写作手法合理有效的运用。赫斯顿运用框架叙事和奴隶叙述表现了主人公珍妮寻找自我、实现自我的主题。在使用这两种传统叙述模式时，赫斯顿并非完全拘囿其中，而是很具独创性地超越并改写了它们。

关键词: 佐拉·, 尼尔·, 赫斯顿, 《他们眼望上苍》, 框架叙事, 奴隶叙述

Abstract:

Their Eyes Were Watching God is Zora Neale Hurston's masterpiece. Hurston's achievements in Their Eyes Were
Watching God lie not only in her portrayal of the heroine, but also in her unique way to tell her story. One of the most arresting aspects of Their Eyes Were Watching God is its form, a force in which it is written in the framing device. And Their Eyes Were Watching God is particularly provocative for its parallels with slave narratives. Hurston in the novel rewrites the frame and slave narrative strategies by depicting the protagonist, Janie's pilgrimage toward freedom.

Key words: Zora Neale Hurston, Their Eyes Were Watching God, frame narrative, slave narrative

中图分类号:

I106.4

刘珍兰. 《他们眼望上苍》中的框架叙事和奴隶叙述[J]. J4, 2010, 9(1): 58-61.

LIU Zhen-Lan. Frame and Slave Narratives in Their Eyes Were Watching God[J]. J4, 2010, 9(1): 58-61.

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