西南石油大学学报(社会科学版) ›› 2012, Vol. 14 ›› Issue (3): 102-107.DOI: 10.3863/j.issn.1674-5094.2012.03.019

• 史学哲学与文学 • 上一篇    下一篇

论花间别调

陈毓文   

  1. 闽江学院中文系,福建 福州 350108
  • 收稿日期:1900-01-01 修回日期:1900-01-01 出版日期:2012-05-01 发布日期:2012-05-01

On Huajian Biediao

CHEN Yu-wen   

  1. Department of Chinese Language,Minjiang University,Fuzhou Fujian 350108,China
  • Received:1900-01-01 Revised:1900-01-01 Online:2012-05-01 Published:2012-05-01

摘要: 作为一种文化现象,花间别调的出现反映了诗学传统的强大影响力。不同于花间正声的局限于艳情,花间别调以词咏史、描写乡土风物、展现塞外风云、歌颂隐逸,题材相当广泛。
在艺术手法上则注重词的叙事性,多向民歌学习,抒情主体性较为明显。究其成因,一方面是文学传统自身沿承、变化的结果,另一方面则是传统情志观离合的一种体现。可以这么认为,花间别调不仅仅是中唐文人词的进一步延伸,更为重要的是,它的出现意味着多元化的词体走向,使词没有完全陷入艳体的窠臼。正是在花间正声与花间别调的合力下,词逐渐完成了由晚唐五代向北宋的过渡。

关键词: 五代, 词, 花间别调, 诗学传统, 情志

Abstract: Huajian Biediao,as a literature phenomenon,has witnessed the overwhelming power of poetry tradition. Different from Huajian Zhengsheng which is confined to expression of emotion,Huajian Biediao covers a wide range of topics of history,customs,legends beyond the Great Wall,and eulogy on reclusive life. In terms of artistic characteristics,Huajian Biediao focuses on narrative feature and on learning from folk songs and therefore,has a distinctive feature of lyricism. This trait results from the evolution of literature itself and is the embodiment of the history of the expressive and impressive traditions. Huajian Biediao is,to be sure,the extension of the literal ci in MidTang Dynasty. Moreover,it reflects the multidimentional stylistic development of ci,which freed ci from the limitation of sentimentalism. It is under the combined influence of Huajian Zhengsheng and Huajian Biediao that ci transfers gradually from the late Tang Dynasty and the Five Dynasties to North Song Dynasty.

Key words: the Five Dynasties, Ci, Huajian Biediao, poetic traditions, impressionism and expressionism

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