西南石油大学学报(社会科学版) ›› 2017, Vol. 19 ›› Issue (3): 71-76.DOI: 10.11885/j.issn.1674-5094.2016.12.29.03

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On the Critical Discourse and Subject Consciousness in the Story of Odd Sour

LI Zaichao   

  1. School of Literature, Fujian Normal University, Fujian Fuzhou, 350007, China
  • Received:2016-12-29 Online:2017-05-01 Published:2017-05-01

Abstract: The Story of Odd Sour,a drama mainly on the theme of Zhang Zhupo's filial duty,is adapted by Li Dou,a dramatist in Qing dynasty,on the base of The Golden Lotus. As the main critics in the play,Li,who called himself master of the House of Fang Feng,interpreted the theme of the play on the basis of close text reading,examined and made improvement to the melody and rhythm,and explored the adaptation of the drama and the problem of stage effect. Li not only finished his criticism on the play as a recipient,but also actively discussed the whole production process of art from the drama adaptation to the stage. In the process of his criticism,Li examined the intention of the author,investigated the gains and losses and conveyed his aesthetic expectations in a rational way. As a practical criticism,his comments set an example to drama criticism and the construction of drama theory in the mid-term of Qing dynasty.

Key words: master of the House of Fang Feng, the Story of Odd Sour, comment, the Golden Lotus, subject consciousness

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