大理大学学报 ›› 2021, Vol. 6 ›› Issue (3): 85-88.DOI: 10. 3969 / j. issn. 2096-2266. 2021. 03. 015

• 文化-艺术 • 上一篇    下一篇

《囧妈》中的女性创伤叙事

兰方   

  1. (金陵科技学院外国语学院,南京211169)
  • 收稿日期:2020-04-24 修回日期:2020-12-08 出版日期:2021-03-15 发布日期:2021-03-24
  • 作者简介:兰方,讲师,主要从事英美文学、电影文学研究。

Narrative of Female Trauma in Lost in Russia

Lan Fang   

  1. (School of Foreign Languages, Jinling Institute of Technology, Nanjing 211169, China)
  • Received:2020-04-24 Revised:2020-12-08 Online:2021-03-15 Published:2021-03-24

摘要: 电影《囧妈》以中国式家庭关系为主线,揭示了传统相处模式下的婚姻关系和亲子关系。以影片中三位女性所遭受的
创伤为视角,运用创伤叙事理论,可以更好地分析其创伤形成的原因、遭遇创伤后的主体表现以及寻求疗愈创伤的道路。领悟
女性创伤视角下的电影叙事所蕴含的主题,可以为当今中国代际之间、夫妻之间的相处模式提供指引与反思。

关键词: 创伤, 电影叙事, 婚姻关系, 亲子关系

Abstract: Taking Chinese family relationship as the main line, the film Lost in Russia reveals the marriage relationship and parentchild
relationship in the traditional mode. From the perspective of the trauma suffered by the three women in the film, this paper uses
the trauma narrative theory to analyze the causes of the trauma, the main reactions after the trauma and the ways to seek for healing. To
understand the theme contained in film narrative from the perspective of female trauma, it can provide guidance and reflection on the
relationship among Chinese generations and couples.

Key words: trauma, film narrative, marriage, parent-child relationship

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