大理大学学报 ›› 2023, Vol. 8 ›› Issue (3): 43-49.DOI: 10. 3969/j. issn. 2096-2266. 2023. 03. 007

• 语言学-文学 • 上一篇    下一篇

抗战时期北京“雅言”词人群的创作观念及写作策略

丛海霞1,杜运威2   

  1. 1.淮阴工学院人文学院,江苏淮安 223003;2.淮阴师范学院文学院, 江苏淮安 223300
  • 收稿日期:2022-04-01 修回日期:2022-10-11 出版日期:2023-03-15 发布日期:2023-03-14
  • 作者简介:丛海霞,讲师,博士,主要从事抗战文学与文化研究。
  • 基金资助:
    国家社会科学基金后期资助项目(20FZWB066 );江苏省高校哲学社会科学一般项目(2021SJA1800)

On the Creative Concept and Writing Strategies of the "Yayan" Poet Community in Beijing During the Anti-Japanese War

Cong Haixia1 Du Yunwei2   

  1. 1.School of Humanities, Huaiyin Institute of Technology, Huaian, Jiangsu 223003, China; 2. College of Literature, Huaiyin Normal University, Huaian, Jiangsu 223300, China
  • Received:2022-04-01 Revised:2022-10-11 Online:2023-03-15 Published:2023-03-14

摘要:

在日伪政府“和平文学”的鼓噪下,沦陷区出现新文学衰落、旧体文学鼎盛的格局。《雅言》是此期北京一带影响最大、集聚传统文人最多、成就亦最高的旧文学刊物。它并不是伪政府的喉舌,然迫于政治压力,所刊诗文亦多脱离现实、流于虚浮。“词录”部分也出现配合政治趋势的雅化现象。但部分词人,巧以雅化为遮掩,行比兴寄托之实,传达家国沦陷的现实悲愤。从而构建起华丽辞藻表象下空虚与质实并存的文学空间。这既是政治高压下的生存策略,也是对和平文学的变相反驳。《雅言》文人创作的复杂形态揭示了沦陷区文学叙述的现实困境,雅词创作的成功则彰显出旧文学艺术范式的丰富性和情感内涵的深刻性。

关键词: 《雅言》, 北京词坛, 沦陷时期, 词体雅化, 反抗策略

Abstract:

Under the uproar of the "peace literature" of the Japanese puppet government the new literature declined and the old-style literature flourished in the enemy occupied areas. During this period in Beijing Yayan was an old-style literary publication which had the greatest impacts attracted the most scholars and had the highest achievements. It is not a puppet government mouthpiece but the journal poetry was mostly disconnected from reality and meaningless under political pressures and there was also a trend of refinement in line with politics.But some Ci poets wrote ingeniously poetry under the guise of "elegance" to express a tearful rage towards the fall of the country. As a result the literary space featured the coexistence of the vacuity and substance under a rhetorical veneer. It was both a political survival strategy under high pressure and a disguised form of "peace literature". The complex forms of Yayan revealed the realistic plight of narrative literature in the occupied regions while the success ofrefined Ci poetry highlights the richness and emotional connotation profundity of old paradigm of art and literature.

Key words:

Yayan, Beijing parnassus, the period of being occupied, the refinement of Ci peotry, strategy of resistance

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