西南石油大学学报(社会科学版) ›› 2012, Vol. 14 ›› Issue (5): 82-87.DOI: 10.3863/j.issn.1674-5094.2012.05.016

• 史学哲学与文学 • 上一篇    下一篇

论《俗世威尔》中莎士比亚的自我塑造

王聪聪   

  1. 华东师范大学古籍研究所,上海 200241
  • 收稿日期:1900-01-01 修回日期:1900-01-01 出版日期:2012-09-01 发布日期:2012-09-01

The Selffashioning of Shakespeare in Will in the World

WANG Cong-cong   

  1. Institute of Ancient Chinese Books,East China Normal University,Shanghai,200241,China
  • Received:1900-01-01 Revised:1900-01-01 Online:2012-09-01 Published:2012-09-01

摘要: 《俗世威尔——莎士比亚新传》将自我塑造理论运用到传记写作中,以自我塑造理论为线索,聚合各种材料,发掘莎士比亚的内心世界。研究认为,格林布拉特通过聚焦创作圈子和整个社会的权威与他者,在两者的互动中,阐释了自我塑造的获得方式;格氏通过探讨莎士比亚对权威的态度,在自我与社会文化力量的互动中,揭示了其自我塑造的丰富性和复杂性;格氏从偷猎事件入手,论述了莎士比亚的自我塑造策略。这样,格林布拉特就揭示了莎士比亚“自我塑造”的复杂运作过程,书写了人物心灵的历史,创新了传记的写作方法。

关键词: 自我塑造, 莎士比亚, 格林布拉特, 互动

Abstract: In Will in the World:How Shakespeare Became Shakespeare,Greenblatt uses selffashioning theory as a clue to aggregate a variety of materials,and explore the inner world of Shakespeare. By focusing on the authority and other in the circles of writers and in the whole world,Greenblatt explains Shakespeare’s selffashioning through the interaction between the two. Starting from the poaching incident,Greenblatt explores Shakespeare’s attitude to the authority,and discusses Shakespeare’s selffashioning strategies and the variety and complexity of the them,which not only reveals the process of Shakespeare’s selffashioning,the progress of his mind,but innovates the techniques of biography writing.

Key words: selffashioning, Shakespeare, Greenblatt, interaction

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