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大理大学学报
月刊，1980年创刊

主管：云南省教育厅
主办：大理大学
地址：云南省大理市古城弘圣路2号
　　　大理大学学报编辑部
邮编：671003
电话：0872-2219939，
　　　0872-2219133 (社会科学类)
　　　0872-2219938 (医学类)
　　　0872-2218160 (理工类)
Email: dldxxuebao@163.com
ISSN: 2096-2266
CN: 53-1232/Z

Table of Content

15 May 2024, Volume 9 Issue 5

Previous Issue

The Disappearance and Revival of a Jino Traditional Festival: The Nuomoruo as an Example

2024, 9(5): 1.

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As the traditional cultural memory of the Jino people, Nuomoruo is a festival held to commemorate the death anniversary of
A Mo Yao Bai, the founder of the world, which is closely related to the natural seasonal calendar, historical memory, religious belief and
livelihood of the Jino people. However, due to historical changes, modernization and cultural memory rupture, and not being officially
recognized as a national traditional festival in the overall sense, the festival was gradually forgotten by the local society. For its
outstanding cultural and practical value, and being a symbol of harmonious coexistence between humanity and nature, humanity and
society, and among humans, the festival conforms to the connotation of new rural construction and rural revitalization in the new era.
Therefore, it is of great theoretical and practical significance to reveal the original features of the festival and to discuss the path and
mode of its revival.

The Expression, Response and Adaptation of Nanjian Dish-Serving Dance Artists to Digital Survival

2024, 9(5): 7.

Asbtract ( 25 )

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In the age of digital survival, media and real life have formed a relationship of mutual reflection and mutual generation, and
people as the subject are increasingly digitized. Since being included in the national intangible cultural heritage project in 2008, the
popularity and influence of Nanjian dish-serving dance have been increasing. As the inheriting body of dancing skills, dance artists
have become the key practitioners of the dissemination of this culture. From the original live performance in rural villages to the current
live broadcast on Kuaishou, Wechat and other network platforms, the way they display the dance has become digital. In this double
space practice process of virtual and reality, the artists have become "digital people", and the dance has entered the era of "digital
survival". In this process, the enthusiastic expression, positive response and active adaptation of the artists to the digital era are all
worthy of deep thought.

An Analysis of the Calligraphy Style and Brushwork in The Monument of Meng Xiaoju#br# #br# #br#

2024, 9(5): 12.

Asbtract ( 22 )

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Research on the Fintech "Regulatory Sandbox" Test Withdrawal Preparation System of Enterprises#br# #br# #br#

2024, 9(5): 19.

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Research on the Coupling Coordination of Digital Economy and High-Quality Development of Manufacturing Industry in the Yangtze River Delta Region#br# #br# #br#

2024, 9(5): 25.