西南石油大学学报(社会科学版)

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论汉代瓦当书法的气

叶木桂   

  1. 岭南师范学院基础教育学院,广东 湛江 524037
  • 出版日期:2016-01-01 发布日期:2016-01-01
  • 作者简介:叶木桂(1981 ),男(汉族),广东肇庆人,讲师,硕士,研究方向:文艺美学。
  • 基金资助:
    2014 年教育部人文社会科学研究规划基金项目“汉代文字瓦当的审美研究”(14YJAZH053);2013 年岭南师范学院基础教育学院科研立 项项目“文艺人类学视域下的瓦当研究”(XM1301)。

A Discussion on the Qi of Wadang Calligraphy

YE Mugui   

  1. Education College,Lingnan Normal University,Zhanjiang Guangdong,524037,China
  • Online:2016-01-01 Published:2016-01-01

摘要: 汉代文字瓦当是古代瓦当艺术的最高水平体现者,瓦当书法在古代中国书法艺术之中独树一帜。瓦当书法与 气有着密切的关联。舒险敛丽四种瓦当书法的审美风格对应着和粗郁平之气,表达喜怒哀乐的心理情感。瓦当书法 在表现生命情感的同时,因随圆变形的独特书写技法,展现出清、和、肃、壮、奇、丽、古、澹这八种书法气格。运动、力 量和气势之美构成了瓦当书法尚气的美学追求,达到了古代瓦当的艺术水平最高峰。这种艺术韵味和审美文化意蕴 的背后,则是瓦当书法作为一种“生命的形式”传递出“生命的意味”,体现了大汉盛世积极向上地张扬生命价值的时 代审美文化表征。

关键词: 汉代瓦当, 瓦当书法, 气, 情感, 气格, 审美文化

Abstract: Wadang in Han Dynasty manifests the highest level of the art of tile making in ancient China. Wadang calligraphy is a unique branch in ancient Chinese calligraphy art. Wadang calligraphy is closely related to the Qi (emotion demonstration). The aesthetic styles of Wadang calligraphy like smoothness,aggressiveness,introversion and gracefulness represent the emotional states of happiness,anger,gloom and peace. In Wadang calligraphy,the structure of the characters must adapt to the circular form of Wadang,which finally result in the eight forms of mentality: loftiness,peacefulness,solemnity,splendor,uniqueness, beauty,retrospectiveness and unworldliness. The beauty of movement,strength and mentality constitute the aesthetic pursuit of Wadang calligraphy and reflect the contemporary aesthetic and cultural emphasis on aggressive and active life in the prime time of Han Dynasty

Key words: Wadang, Wadang calligraphy, Qi, emotions, mentality, aesthetic culture

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