西南石油大学学报(社会科学版) ›› 2011, Vol. 13 ›› Issue (1): 96-102.DOI: 10.3863/j.issn.1674-5094.2011.01.019.

• 史学哲学与文学 • 上一篇    下一篇

莎剧《李尔王》的巴赫金式解析


夏青
  

  1. 1.合肥工业大学外国语言学院,安徽 合肥 230009; 2.安徽艺术职业学院基础教育部,安徽 合肥 230001
  • 收稿日期:1900-01-01 修回日期:1900-01-01 出版日期:2011-01-20

AN ANALYSIS OF SHAKESPEARE′S KING LEAR FROM THE PERSPECTIVE OF BAKHTIN′S THEORY


XIA Qing1,2
  

  1. 1.School of Foreign Studies,Hefei University of Technology,Hefei Anhui 230009,China;2.Department of Basic Education,Anhui Vocational College of Art,Hefei Anhui 230001,China
  • Received:1900-01-01 Revised:1900-01-01 Online:2011-01-20

摘要:

20世纪西方著名文艺理论家巴赫金在跨学科研究的基础上创立了巴赫金学说,其思想内核可以概括成“对话主义”、“复调小说理论”和“狂欢化诗学”这3条精髓;文艺复兴时期的不朽名著《李尔王》,一直被视作文学史上最伟大的悲剧之一。然而,这部作品的语言艺术、文本建构和精神蕴涵处处充溢着对话关系、复调叙事和狂欢底色,试用巴赫金学说对莎剧《李尔王》进行重新解读,以探索复调狂欢化乌托邦的全新人类关系,从而揭示戏剧背后蕴藏的深远的社会意义。

关键词: 莎士比亚, 对话主义, 复调, 狂欢化, 巴赫金, 《李尔王》

Abstract: The Bakhtin theory was proposed by the famous Western literary theorist Bakhtin based on his interdisciplinary research in the 20th century.Its ideological core can be summed up as “Dialogism”,“Polyphonic Novel Theory” and “Carnivalesque Poetry”.King Lear,one of the greatest tragedies in literary history,is full of imbuing dialogue relationship,polyphonic narrative and carnival spirit in novel construction,artistic features and spiritual implication.Based on Bakhtin′s polyphonic theory,this paper explores new human relationship in the polyphonic carnival world in this drama and reveals its profound social significance.

Key words: Shakespeare, dialogism, polyphony, carnivalization, Bakhtin, King Lear

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